Kodachrome

 

Kodachrome

Kodachrome is a road trip redemption film with a groovy analog aesthetic and a solid triumvirate of performances from Jason Sudeikis, Elizabeth Olson, and Ed Harris. Yet the film is held back from being a memorable one by its ham-fisted and predictable screenplay.

You could say the cinematographer Alan Poon is the real star of the movie by creating an embracing warm color scheme accentuated by close up shots using natural lighting. The director Mark Raso also isn’t afraid to shoot important scenes in low light which highlights this films cinematographic range. This warm color scheme is matched by a soundtrack populated by classic rock hits that are always a crowd pleaser. The marriage of music and lighting creates such a groovy aesthetic it keeps the film enjoyable throughout.

The screenplay is the predictable at best, the writers certainly don’t subscribe to the iceberg theory of writing. It honestly feels like the writers think the target audience are stupid. Every time they manage to make a subtle point through action or dialogue, Elizabeth Olson character then explains that point in detail. This ham-fisted approach to the writing is also perpetuated in how predictable the movie is. The director mine as well have had flashing text fly across the screen reading “Foreshadowing” or “character life symmetry” at multiple points throughout the movie.

This type of writing inherently makes the characters dry and predictable as well, but even with their limitations, they are played very believably by the actors. Elizabeth Olson does very well as her character is easily the most shallow and least thought out. Jason Sudeikis and Ed Harris have more dynamic characters as the movie revolves around their father-son relationship. They start to build a nice chemistry, which is necessary as all the conflict is dialogue driven between them. Unfortunately, it feels like they build that chemistry too late. The first two-thirds of the film is slow as the interaction doesn’t have much emotional gravitas. The final third achieves that emotional stimulation but the ending is so predictable it almost cheapens the entire experience. I found myself really wanting it to be over in the last five minutes.

 

1.5/4 Stars   Available on Netflix

 

 

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