Cargo

Cargo has a promising start but tries to fit just about every post-apocalyptic trope into one movie which makes the plot and film direction a mess.

The first twelve minutes of the film set up what could have been a decent post-apocalyptic thriller but derails itself by overuse of common tropes. The filmmakers manage to try and fit man low on time, modern society poisoning earth causing earth to fight back with a disease, horrid decision making under pressure, country survivor who immediately lost all humanity, sound attracts the zombies( but only when it advances the storyline), zombies needing to hibernate, all into one movie. Predictably the end product is a jumbled mess. The film never manages to focus itself on a few storylines, which is a shame because a few could have been expanded on to success. Strangely, the main emotional pull other than Martin Freeman doesn’t start playing a real role until two-thirds into the movie. Thoomi doesn’t have enough time to create a bond with the audience so her part during the finale falls short. For a thriller, it’s not scary whatsoever. It isn’t engrossing enough to suspend belief of its

To Cargo’s credit, the setting is new you don’t see South Australia often. The set pieces in the final third are clever, leading to an enjoyable ending. Susie Porter her role well, even if she is in the movie for about fifteen minutes. Cargo isn’t long, but the time could have been better used focusing on Thoomi and the Aborigines storyline instead of Martin Freeman experiencing every post-apocalyptic trope possible.

You should skip Cargo unless you really like post-apocalyptic movies and don’t care about overused tropes. 1.5/4 Stars

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